Showing posts with label rose. Show all posts
Showing posts with label rose. Show all posts

Friday, June 22, 2012

A Tale of Two Rhubarbs: Hermes Rose Ikebana and Aedes de Venustas Signature


Deliciously tart, ruby red stalked and leafy green, rhubarb grew like a weed in the bottom of our garden in late spring. When I was a child, my mother would give us rhubarb stalks freshly picked and trimmed with the ends dipped in sugar.

Rhubarb isn't a common note in perfume, but I ran across it three times this spring. The first was in La Tulipe by Byredo where it lent an impression of brilliant red and green to a perfume built around the idea of the spring flower.

Then this June, I was lucky enough to go on a vacation to Las Vegas. I love the hot, dry desert; it's so different than my usual wet, cold or humid Toronto. While in Vegas, I went perfume shopping - naturally. I found myself drawn to two perfumes with a distinct rhubarb note: Rose Ikebana by Hermes and the new Signature from Aedes de Venustas.

Rose Ikebana

"Beautiful and minimalist, the traditional Japanese art of ikebana - arranging bouquets of cut flowers and leaves using very few elements - ideally corresponded to a form of expression I could transpose in a perfume. The smell of a rose early in the morning, damp, sprinkled with dew, delicate and light." - Jean-Claude Ellena
I had to include that beautiful quote from the perfumer, Jean-Claude Ellena because it perfectly describes the perfume and, I think, his famously minimalist style. In Rose Ikebana, the rhubarb note is tart but sheer and a little like grapefruit. Although I originally went into the Hermes store planning to buy Pamplemousse Rose, I ended up with a bottle of the more subtle Rose Ikebana. After the rose and rhubarb, the dominant note is green tea. Dry and pretty, but not soapy or sweet, Rose Ikebana is the perfect antidote for the heat. Spray liberally however, for I find it doesn't last. [P.S. The Hermes in the Crystals shopping centre has the nicest store director! We chatted for a long time about perfume and Jean-Claude Ellena. He made me feel quite at ease in a store where I couldn't afford anything but the perfume.]

House: Hermes
Nose: Jean-Claude Ellena
Notes: rose, rhubarb, green tea

Aedes de Venustas Signature

When I saw the heavy amethyst bottle with its gold scroll top, I did a little jump for joy, right there in Barneys at the Venetian. The new Signature perfume from the niche perfume store Aedes de Venustas in New York is only available in their own shop or in Barneys and a few other places, but no retailers in Canada, so I was really excited to be able to try it. Not to mention that Signature was created by one of my favourite perfumes, Bertrand Duchaufour.

My first impression of Signature was "Huh. Weird." But after an hour with it on my hand I knew it was the most interesting thing I had smelled in while, and I went back for a bottle. It's very unique. It's also hard to describe because Signature has so many different facets. Mostly I smell damp earth with green growing things and a tension between bitter and tart. The tartness is the rhubarb, running like a green grapefruit note throughout the bitter earth. There's a dry woody hint of incense and something kind of funky in that dirt too, like compost in the garden, but I wasn't quite able to name what it reminded me of until I got home. I was walking in the hallway of my apartment building and smelled a familiar skunky sweetness and I had a light bulb moment! In an interview with Bertrand Duchaufour on Grain de Musc, he says he inserted a "ganja" accord into Signature. It's just a hint that pops up now and again in a very complicated but thoroughly enjoyable perfume. I've been wearing Aedes de Venustas Signature a lot this month and I am not even close to getting bored with it. I think it will be great all year 'round too.

House: Aedes de Venustas
Nose: Bertrand Duchaufour
Notes: rhubarb, hazlenut, green apple, ganja, vetiver, incense



Monday, February 13, 2012

Roses for Valentine's Day

Who Doesn't Like Roses?


The rose is the queen of flowers. Rose can be combined with fruity, spicy, woody, or green notes. Rose perfumes can be sheer and light, rich and hypnotic or dark and dirty. There's something for everyone in a rose. This Valentine's Day, give your sweetie (or yourself) a new rose perfume. Here are some unusual and excellent roses to try.


For the Traditionalist: Czech and Speake, Rose Cologne

Czech and Speake is a luxury English line of bath products and perfumes, They do a gorgeous rose soliflore. Nothing fancy, just a real English rose, with some green leaves up top and a hint of earthy patchouli in the base. Lovely.
Nose: ?
Notes: bourbon rose, geranium, ylang ylang, mimosa mingle, patchouli



For the Sexpot: Frederic Malle, Une Rose

Une Rose is a "master's rose." This is the whole rose bush, from green leaves, to full blooms. Even the dirt still clinging to the roots is represented by the soft and earthy "truffle accord." The heart is is rich red rose drizzled with animalic honey. The honey note is pure sex for some, but can smell a bit "pissy" to others. Not for the faint of heart.
Nose: Edouard Fléchier
Notes: Turkish rose absolute, fruit, honey, geranium, wine dregs, truffle accord, dark woods, animal notes



For the Dangerous Sweetie Pie: By Kilian, Liaisons Dangereuses

The full name for this lolita is Liaisons Dangereuses typical me. Like Britney Spears in "Oops, I Did It Again" he or she will fool you with the face of an angel but underneath, something smells not that innocent. Dangerous Liaisons starts very green with a huge hit of green leaves and grape-y fruit. As the rose note opens up, the fruit deepens into a plum pie. Underneath is all is a soft, recently slept-in bed of musk, vanilla, woods and moss.
Nose: Calice Becker
Notes: blackcurrent buds, plum, peach, cinnamon, ambrette, rose damascus, geranium, sandalwood, oakmoss, vetiver, woods, vanilla, white musks



For the Exotic Pussy Cat: By Kilian, Rose Oud

Another gorgeous rose by Calice Becker. Rose Oud is rose petals scattered on the rich woody oud. The oud feels light and airy, not heavy. It's like smoke. As the perfumes sits on your skin it gets warmer and sweeter. The spices, mostly cardamom, become noticeable.  It has an almost gourmand quality, like some kind of middle eastern toasted pastry. The rose beomes fruity like a fine red wine. Rose Oud wears close to the skin but has remarkable staying power. The next day my skin smells like candied roses and incense.
Nose: Calice Becker
Notes: rose, oud, saffron, cardamom, cinnamon


For the Sourpuss: Hermes, Eau de Pamplemousse Rose

There's always the one who says "I Hate Valentine's." Give him or her a great citrus perfume with subtle  rose note. I fell in love with Pamplemousse Rose on first sniff. It smells like a sparkling, mineral grapefruit, like Pink Grapefruit Perrier. It's only after the first 15 minutes that you start to smell sheer pink roses under the dry and tart citrus. Pamplemousse Rose would be a perfect summer scent, but it also brightens up a dreary winter day.
Nose: Jean-Claude Ellena
Notes: pink grapefruit, rose



Monday, October 24, 2011

Jean Patou - Joy


Affordable Luxury

Jean Patou released Joy during the Great Depression in the 1930's with an advertising campaign that billed it as "the costliest perfume in the world." Does that seem odd? It was actually a very clever marketing move. After the Wall Street stock market crash in 1929, the Parisienne fashion house lost many of its American clients who could no longer afford haute couture clothing. So, Jean Patou offered instead a luxury perfume that, while expensive for perfume, was still more affordable than the clothes. Joy offered a taste of uncompromising quality and luxury that still fit his clients' budgets.

To create Joy, perfumer Henri Almeras famously sourced that most precious ingredients in huge amounts. Ten thousand jasmine flowers and twenty-eight dozen roses are required to make each bottle of Joy parfum. Jean Patou has its own dedicated fields of jasmine and roses in Grasse, France.

I have a bottle of the EDT. Joy opens with sparkly, waxy aldehydes and green lily of the valley. After a few minutes you begin to appreciate the fragrant jasmine and rich rose bouquet. It's lush and very well blended. The dry down has a dark, slightly bitter note behind the flowers and a touch of warm muskiness.

According to the Jean Patou website, the formula for Joy is unchanged; I find that hard to believe, but the quality of Joy is undeniable. It is gorgeous and I highly recommend it to any fans of plush florals or jasmine. Joy may no longer be the quintessential luxury perfume (I found my bottle at Winners), but it's an everlasting beauty.

House: Jean Patou
Nose: Henri Almeras
Notes: (From Jean Patou website)
Top: Bulgarian rose oil, Ylang Ylang, Tuberose
Heart: Rose de May, Jasmine de May
Base: Musk

p.s The top photo is Greta Garbo in Mata Hari, 1931. Here are some more photos of her. Delicious, isn't she? I believe that's a bottle of Joy on her dressing table, on the left, in the last photo.




Sunday, September 4, 2011

DSH Perfumes - The Roses

Eight Long Stem Roses For A Birthday

Dawn Spencer Hurwitz is an indie perfumer from Boulder, Colorado. She sells her perfume from the Essense Studio in Boulder and from her online shop. I previously reviewed her Secrets of Egypt collection which sought to recreate the perfumes of ancient Egypt.

I think she's a genius. Her perfumes all smell so true; you can smell the high quality materials and the love she has for each note she uses. Every one I have tried has been beautiful in some way. The Parfums des Beaux Arts are from her "ready-to-wear" collection. The Essense Oils are from the Essense Studio, perfume and essential oils  aromatherapy collection. The perfumes labelled Natural are made with 100% botonical materials.

A while ago I left a comment on Dawn's blog and won a set of samples from her perfume collection. The samples were all rose perfumes. Today Facebook told me that this week Dawn Spencer Hurwitz has a birthday, so I thought it was an excellent occasion to finally tell you about the roses.

American Beauty (Rose No. 1)

Parfum des Beaux Arts
American Beauty has the feel of deep, blood-red roses. There is a little tart-berry fruitiness from the cassis up top, a soft velvety rose heart and a smooth dark woody base with lots of patchouli and a touch of balsam.

Notes:
Top notes: Bergamot, Cassis Bud, Palma Rosa, Rosewood (bois de rose)
Middle notes: Bulgarian Rose Absolute, Bulgarian Rose Otto, Centifolia Rose Absolute, Egyptian Rose Geranium, Moroccan Rose Absolute, Orris
Base notes: Ciste Absolute, East Indian Patchouli, Mysore Sandalwood, Peru Balsam

Beach Roses (Rose No. 3)

Parfum des Beaux Arts
I can smell the ocean breeze and the waterlily in the top notes of Beach Roses, giving it that salty, aquatic feel. The rose note is soft, sort of lemony and creamy. The base notes are lightly earthy and musky.

Notes:
Top notes: Lemon, Neroli, Ocean, Palma Rosa, Violet, Waterlily
Middle notes: Carnation Absolute, Centifolia Rose Absolute, Chinese Geranium, Demine Rose Otto, Moroccan Rose Absolute, Rugosa Rose
Base notes: East Indian Patchouli, East Indian Sandalwood, Musk

Tea Rose

Essense Oils
Tea Rose is a true rose fragrance that's almost hyper-realistic, like a bunch of fresh cut roses transformed into a neon sunset. It's intensely sweet and green and somewhat sharp up top, with hints of lemon and tea cutting the sweetness. It smells exactly like tea roses and much like The Perfumer's Workshop Tea Rose but it calms down to something softer and fruitier, like rose hips tea and roses.

Notes:
Top notes: Tea Rose
Middle notes: Tea Rose
Base notes: Tea Rose

Dirty Rose

Parfum des Beaux Arts. Natural
Dirty Rose smells like rose petals tossed on a fire. It opens with a curl of wood smoke up my nose Followed by a leather note underneath. There's also a lot of wood and moss in there and some tobacco. The rose isn't apparent at first, but it grows in the heart of the perfume subtly, a twisting pink and red ribbon in the darker hues of black and brown. I am not usually a fan of natural perfumes, but this one might change my mind.

Notes:
Top notes: Bergamot, Egyptian Rose Geranium, Mastic, Pimento Berry, Pink Peppercorn, Rosewood (bois de rose)
Middle notes: Buddahwood, Centifolia Rose Absolute, Gallica Rose Otto, Labdanum, Olibanum (Frankincense), Orris, Patchouli, Sandalwood, Virginia Cedar
Base notes: Ambergris, Brazilian Vetiver, Cassis Bud, Guiacwood, Hiba Cedarwood, Leather, Myrrh Gum, Oude (Agarwood), Styrax, Tobacco Absolute, Treemoss

Umber: Bois de Rose

Parfum des Beaux Arts
Bois de Rose smells like sweet curried roses to me. Spicy curry, sweet rose and fresh green leaves are balanced with a bitter woody note in the heart and a dark mossy base.

Notes:
Top notes: Bergamot, Eglantine Leaf, Thorn Apple (accord), Violet
Middle notes: Gallica Rose Otto, Nutmeg, Orris, Patchouli, Rosewood (bois de rose)
Base notes: Ambergris, Brazilian Vetiver, Brown Oakmoss, Ciste Absolute, Vanilla Absolute

Le Rose Fleurette (Rose No. 2)

Parfum des Beaux Arts
The only rose perfume that I can't find listed on the DSH site, Rose Fleurette must have been discontinued. The sample card describes it as "Delightful. Blushing. Flirtatious."

Although Rose Fleurette is pretty, it's the only one that I'm note sure I could wear. The opening has a magic marker note, high sweet and sharp, (maybe the apple blossom?) that wrinkles my nose. But after that, it's a fresh, pale pink rose bouquet. It seems sort of fluffy like those giant peony-style cabbage roses. There's a touch of sweet and pollen-y yellow heliotrope in the base with light honey and musk.

Notes:
Top notes: Apple Blossom, Bergamot, Violet
Middle notes: Centifolia Rose Absolute, Damask Rose Absolute, Egyptian Rose Geranium, Moroccan Rose Absolute, Sweetbriar
Base notes: Heliotrope, Honey, Honey Musk

Arabian Rose

Essense Oils
Like the Tea Rose, this is a "single note" oil. Arabian Rose is an accord meant to re-create the smell of a particular flower, the indigenous rose of Arabia. It's a big, lush, full, real rose, but more velvety in feeling than the tea rose. It's very strong at first but it softens and gets greener in the drydown.

Notes:
Top notes: Cyclamen, Damask Rose Absolute, Egyptian Rose Geranium
Middle notes: Bulgarian Rose Absolute
Base notes: Moroccan Rose Absolute, Sultry Rose, Tea Rose

Rose Vert

Parfum des Beaux Arts. Natural
Rose Vert is one of the "Perfection Connoisseur Fragrances" - four natural perfumes that form an ultra luxury line within DSH Perfumes. Each one is created with fine natural essences, rarely used in commercial perfumes because of the difficulty in sourcing them and the cost.

Rose Vert opens with lemony citrus. The roses in the heart smell somehow vintage to me, like I have rediscovered a lost Victorian perfume. Rose Vert is like something precious that was kept in a tiny crystal flacon and dabbed on the bosom of a corseted and bustled lady. It's the condensed essence of  rich roses and moss.

Notes:
Top notes: Citrus Oils
Middle notes: Bulgarian Rose Absolute, Centifolia Rose Absolute, Damask Rose Absolute, Moroccan Rose Absolute, Turkish Rose Otto
Base notes: Treemoss

Wrap-Up:

My favourites of the bunch are:

  • Beach Roses, which I think I would wear all the time, it's easy and care-free.
  • American Beauty for it's lush rose-red bouquet with dark patchouli.
  • Dirty Rose for all the smoke and leather and moss and the ambergris skin note. It's like a gorgeous and slightly rough man bringing me roses.

House: DSH Perfumes
Nose: Dawn Spencer Hurwitz

Friday, July 29, 2011

Parfums Grès - Cabaret and thoughts on perfumista twins

What good is sitting alone in your room?

Grès Cabaret was released in 2002 and was inspired by a French cabaret with it's gorgeous women, beautiful costumes, and sexy-decadent atmosphere.

I find it very sexy. Cabaret is a sheer-woody rose and I'm a sucker for this style of perfume. It's very dry and has a huge hit of musks in the base that lift it and give it excellent sillage.

Unlike most of the perfumes I've been falling for lately, Cabaret is widely available and at very reasonable prices, although in Toronto you may have to order it online as I haven't seen it on counters.

I got my adorable mini bottle in a swap with a perfume pal, which brings me to my next topic: Perfumista Twins.

A Perfumista Twin is what I call another perfume fan who shares your tastes. The best thing about writing this blog has been meeting (in person and virtually) other perfume people around the world. It's given me the opportunity to chat about perfume (join us for #fumechat on Thursdays), do joint blogging projects like the We Three Kings posts last Christmas, and, most importantly for my wallet, swap samples and decants with other collectors. There are just too many perfumes to keep up with; thousands of new releases every year and thousands of excellent vintage perfumes I've never tried. Having Perfumista pals send me samples helps tremendously.@JoannElaine from Redolent of Spices was my first fumie friend. We share a love of vintage, dry-as-bone chypres and I always know I'm going to love her samples even before I open them.

But maybe even better than a Perfumista Twin is a Perfumista EVIL Twin (PET). A PET is one who has exactly the opposite tastes as you. Why is this great? Because a PET will trade with you for decants of things s/he doesn't like, but that you love! Ines from All I am - a redhead may be a PET. She sent me decant of Lorenzo Villoresi Sandalo that she didn't like but that I fell in love with.

Now I may have found a new PET, Bryna, who traded with me this adorable mini bottle of Cabaret, as well as a healthy decant of Fleur de Narcisse that I had been lusting after. They may not have tickled her fancy, but I adore them. I hope this is the beginning a a beautiful friendship.


House: Grès
Nose: Michael Almairac
Notes: Top: rose, lily-of-the-valley and peony; Middle: violet, blue orchid and incense; Base: patchouli, oleander, Indian sandalwood, amber and musk

Monday, July 4, 2011

Frederic Malle Portrait of A Lady and Heeley Hippy Rose

Patchouli roses for for bare feet or black tie

Patchouli and rose is a classic combination. Something about the rich perfume of roses compliments the dark, earthy-sweet, smell of patchouli.

Recently two excellent niche lines released patch-rose perfumes: Frederic Malle, Portrait of A Lady and Heeley, Hippy Rose. Both are beautiful and excellent quality. They share similar notes but they execute the classic combo in a different ways.

Portrait of A Lady

When I heard Frederic Malle speak in Toronto earlier this year, he reminisced about the creation of Portrait of A Lady. He told us that he worked quite closely with Dominique Ropion on this scent, which was born out of a shared love for their earlier perfume Geranium Pour Monsieur and a desire to re-use the base they loved from that perfume, but turn it into a perfume for women.

And so they took the oriental base of benzoin, musk, incense, sandalwood, clove and cinnamon, and changed it: making the musk more feminine, reducing the sandalwood and adding in some "heart" of patchouli. As M. Malle explained it, real patchouli has a complicated fragrance with many different facets. Before now, perfumers had often wished that they could isolate just the "heart" of patchouli, the part the smells the best, and leave out all the less attractive aspects.  New technology available to modern perfumers has allowed them to do just that in Portrait of A Lady. Malle and Ropion loved it so much they put in as much of it as they could.

They balanced this overdose of patchouli, with a huge amount of turkish rose oil. Malle said he had the opportunity to question someone once on how the famous Guerlain rose perfume, Nahema achieved such beauty, and was told that it used an unusually high percentage of rose oil. Emboldened, Malle and Ropion decided to use what they call a "daring", even "excessive" amount of rose essence for Portrait of A Lady.

According to the Frederic Malle website,"Portrait of a Lady is undoubtedly the perfume containing the strongest dosage of rose essence and patchouli heart." They call it a "baroque perfume" and it certainly is. Like baroque art, it cannot be called conventionally pretty, but it's over-the-top usage of beautiful materials makes it like a Baroque church, full of movement, and life and grandeur.


Hippy Rose

Heeley's Hippy Rose has many of the same notes as Portrait of a Lady, and when I initially sprayed it on, it reminded me quite a bit of the Frederic Malle perfume, but after wearing them side by side for a while, I see how they are quite different.

The rose in Hippy Rose is a fresh, velvety petaled pink blossom, as apposed to the dark red of Portrait. Hippy Rose smells like a just-picked rose; it's soft and dewy. The opening is a little peppery and tart. The patchouli and incense give it a nice dry-woody base and the amber and musk make it a little softer and warmer, smoothing out any edges.

So the question I was asked on Twitter was: which one do I prefer? That's a hard one. If you asked me which one I enjoyed wearing the most it would be Hippy Rose. It's a soft, pretty, mellow, patch-rose that feels really comfortable. Hippy Rose feels natural for day or evening or just hanging out in bare feet in the backyard.

But, ask me which perfume I think is the most important. As a perfume fanatic, I am always looking for the best, the most beautiful, and sometimes the most shocking. Many times I have moaned about how a classic perfume has been reformulated into banal nothingness. I believe that fifty years from now, perfumistas will be hoarding original bottles of Portrait of A Lady. I may find it a little intimidating to wear, like when I was twenty and my aunt offered me a loan of her mink coat. I don't always feel like I can pull off Portrait of A Lady; it's an evening gown scent. But the next day, traces of it linger on my clothes and on my pillow and they smell divine. Portrait of A Lady is going to be a classic; if you care about that sort of thing, buy a bottle now.


House: Heeley
Nose: James Heeley
Notes: Bergamot, green moss, Bulgarian rose, patchouli, incense, Haitian vetiver, amber, musk


House: Frederic Malle
Nose: Dominique Ropion
Notes: turkish rose, red berries, spice, patchouli, benzoin, cinnamon white musk, sandalwood, frankincense



Photo dark rose: mrgarris0n
Photo Sant'Andrea al Quirinale, Rome: mine
Photo pink rose: ~Dezz~

Friday, February 18, 2011

Dior - Miss Dior (vintage)

I thought she was a Veronica and she turned out to be a Betty

I have a vintage mini of Miss Dior, I think it's from the 80s, that I've never tried but a recent review by Normand at The Perfume Chronicles made me want to pull it out and give it a sniff.

The opening of my Miss Dior is sharp and green. I can smell a lemony bergamot and some old-fashioned aldehydes and the oak moss from the base. My first impression  was that it is a bitter green chypre; if Miss Dior was person, I would say she was a cool blond and a bit of a bitch. She's beautiful , but cold.

And then she changed. The bitter green was replaced by pretty florals. Miss Dior became cheerful, maybe even a little flirty. Amazing. I like it when a perfume does the unexpected. But she still wasn't finished evolving. In the base notes, a smooth, soft leather with a little smoke joined the flowers. The flirty girl now had some sex appeal. She winked at me as she pulled on a pair of leather gloves.


House: Dior
Nose: Jean Carles and Paul Vacher
Notes: Top notes are aldehydes, gardenia, galbanum, clary sage and bergamot; middle notes are carnation, orris, orris root, jasmine, neroli, lily-of-the-valley, rose and narcissus; base notes are labdanum, leather, sandalwood, amber, patchouli, oakmoss and vetiver.

Monday, February 14, 2011

Sisley - Soir de Lune

A bodice ripper chypre

In honour of Valentines Day, I bring you Sisley Soir de Lune, a good old-fashioned bodice ripper.

Dark and magnetic, like the eyes of My Wicked Earl over there, Soir de Lune really pops my pearl buttons.

Starting with smoldering spices, Soir de Lune unfolds its red rose petals dripping with honey and a touch of soft peach. Deep in the woods, it lays me down on a soft bed of earthy patchouli and moss. In the darkness is a hint of the bitterness to come in the morning when my love leaves.

House: Sisley
Nose: Dominique Ropion
Notes: lemon, bergamot, orange, mandarine, coriander, nutmeg, pimento, May rose absolute, mimosa absolute, jasmine, lily-of-the-valley, peach, moss, musk, patchouli, honey, sandalwood
Where to buy: in Toronto at Holt Renfrew

Thank you to Victoria at Bois de Jasmin for giving me her extra sample!!!

Thursday, February 10, 2011

Frederic Malle - Lipstick Rose

Glamour Puss

Lipstick Rose is a perfume that grew on me. In 2008, while I was visiting England, I took the opportunity to do some perfume shopping. Being a budding perfumista, I wanted to smell perfumes that I had read about, but didn't have access to in Toronto. The friendly SA at Liberty pulled out the entire Frederic Malle line for me and I spent a long time sniffing through each perfume. I was determined to make a purchase of something that I couldn't get back home, and I wanted it to be an "important" perfume, something that would be remembered. I settled on Lipstick Rose. It was so different that anything else. It was unique and strong-willed and very glamourous.

Later, back in my hotel room, I was already having second thoughts. At the time, my favourite perfume notes were amber, spices and woods, but definitely not flowers like roses and violets. Also, unique and strong-willed I may be, but glamourous? No. I felt somehow unable to live up to Lipstick Rose. Now, years later, I've come back around to loving flowers, especially roses, and Lipstick Rose has moved back to the front of the cabinet.

Lipstick Rose is deceptively simple and linear. It's a combination of rich red roses and fruity purple violets, with a base of vanilla-amber and musk. But it has hidden depths. I find interesting dualities in Lipstick Rose.  Roses are luscious, grown-up  and romantic flowers, while violets are sweet, girly and demure.

The rose-violet combination in Lipstick Rose smells uncannily like thick, creamy lipstick, maybe something from Chanel and there is a powdery quality to it, like fine face powders. But although makeup is definitely inedible, Lipstick Rose also has an edible, gourmand side to it. The fruity violet ionones are berry-like, and the vanilla in the base makes me think of cookies and marzipan.

Lipstick Rose is also simultaneously old-fashioned and aggressively modern. Roses and violets may be "old-lady" notes, but the perfume is modern in the way it's composed. Spray on Lipstick Rose and you won't picture an old lady. It's a perfume for Dita Von Teese, putting on makeup at her dressing table and lacing up a corset. Maybe I don't have to live up to that. Maybe it's enough that I get to live in it for a while.

House: Frederic Malle
Nose: Ralf Schwieger
Notes: rose, violet, vanilla, vetiver, amber, musk
Where to buy in Toronto: at Holt Renfrew

Saturday, January 29, 2011

And the Winner of the Tea Rose sample giveaway is...

taffynfontana!

Taffynfontana, please contact me with your mailing information. You can find my email address in my Blogger user profile; just look under About Me in the bottom right corner of this page.

Thank you to everyone who left a comment for me. I loved all of your suggestions for rose perfumes.

This draw was done using List Randomizer at RANDOM.ORG

Wednesday, January 26, 2011

Giveaway - The Perfumer's Workshop Tea Rose

Try the Godzilla rose

If you read my post yesterday, I think The Perfumer's Workshop Tea Rose is amazing. Would you like to try it yourself? I have a vintage carded sample to give away.

Please leave a comment below, on this blog post. Let me know, do you like rose in perfume? and if so, what are your favourite rose perfumes?

The winner will be chosen at random and announced here on Saturday. Please check back to see if you won. You will have to contact me with your mailing address if you are the winner. Yes, I will mail it anywhere, but I can't guarantee what the postal systems will do or how long it will take.

And I have opened comments to everyone. We'll see how that works out. If I get a lot of spam, I'm going back to the "you must have an id" system.

THE DRAW IS NOW CLOSED  Thank you to all who left me a comment, I love getting suggestions of new things to try.

Tuesday, January 25, 2011

The Perfumer's Workshop - Tea Rose

3D Rose

The Perfumer's Workshop released Tea Rose in either 1972 or 1975, depending on what sources you read. According to Sephora, in 1971, Perfumers Workshop International asked Jack Mowen of Firmenich to create a long-lasting rose fragrance that captured the scent of an entire rose garden, including the leaf and stem. The result was Tea Rose.

I can look at the notes of Tea Rose and suppose that the bergamot is providing brightness and lily of the valley is lending its greenness to the perfume, but really, the notes of Tea Rose are irrelevant. Tea rose is quite simply the most hyper-realistic rose you will ever smell in a perfume. Close you eyes and sniff this, and you are standing in front of a huge bouquet of fresh cut roses. The kind with real rose smell, not the gorgeous but odourless ones they sell now in florist shops. In Tea Rose, you can smell the soft creaminess of the petals, the green of the cut stems, and the woodiness of the thorns. It is amazing.

A word of caution, Tea Rose could just as easily be called Godzilla Rose - it has monster sillage and tenacity. Just the tiniest dab on my wrist was enough to have office neighbours inquire what the lovely smell was. And it lasts! After 48 hours, two showers and one bath, and the generous application of two other perfumes, I could still smell rose on my wrist. The other perfumes didn't stand a chance; eventually Tea Rose conquered them all.

Although my sample is vintage Eau de Parfum, Tea Rose still widely available online in EdT, and at very reasonable prices. If the EdT has any of the tenacity of the EdP, a bottle will last you for a long time.

Not everyone these days wants to smell like fresh roses. Many label rose as the dreaded "old lady perfume." I have to admit that I think of my grandmother, with her rose milk hand cream and sachets of dried petals in her drawers, when I smell Tea Rose. But I think we should take back the rose. This Valentines Day, wear Tea Rose, or give it to your beloved, instead of those soulless, smell-less, long-stem roses they sell at the shops. What could be more romantic than smelling like a real rose?


House: Perfumer's Workshop
Nose: Jack Mowen
Notes: bergamot, rose, lily, tuberose, sandalwood and amber

Photo: rose, Drew Avery
Photo: perfume bottle, mine.

Tuesday, January 18, 2011

Jacomo - Parfum Rare and a Giveaway!

Mysterious beauty

Parfum Rare is the first perfume I'll review from the box of samples I received at Christmas from the vintage treasure trove at Fritsch Pharmacy. Everything in the box is a mystery to me and I'm looking forward to discovering new gems. The more I smell vintage perfume, the more I wish I had started my hobby twenty years ago.

In the late 60’s, an American named James Kaplan and a Frenchman, Gerard Courtin, a former pianist, came together to open a boutique on 5th Avenue in New York. They called it Jacomo. In 1970, they expanded their business to perfume. They released Silences in 1978. Parfum Rare was released in 1985 and re-released in 1987 as Coeur de Pafum.

Parfum Rare is a rich floral chypre, with some spice and a deliciously dark bitter base. The top notes start with a bright, tart fruit that could be could be bergamot, or black currant and warm, aromatic spices. The heart is a beautiful full rose and dry, not sweet, florals, possibly the iris and marigold mentioned in the notes, or carnation. The base is also dry with bitter oakmoss, as well as some dark patchouli and earthy vetiver.

It's very well blended and has excellent sillage. It seems to take up a three-dimensional physical space when I wear it, as if I can smell dark and light, high and low, at the same time. It's very "perfumey" in an old-fashioned way that I love and it smells like money. I want to wear it with an inky black mink coat and two dozen blood-red, long-stem roses. Pafum Rare is a portrait of a beautiful but mysterious woman. The painting is a contrast of deep dark depths and reflected light, and the woman is young but with an old soul.

A Giveaway!

Appropriately, Parfum Rare seems to have been discontinued, but I'm happy to say I have an extra sample to give away.

Please leave a comment below and tell me about a rare or discontinued perfume you love, or if you can't think of anything, just tell me what you're wearing today. The winner will be selected randomly and announced on the blog on Saturday. Be sure to check back.

Update Saturday, January 22, 2011: THE DRAW IS CLOSED. MY THANKS TO EVERYONE WHO ENTERED.

House: Jacomo
Nose: ?
Notes:  bois de rose, cardomome de Ceylan, jasmin d'Egypte, iris de Florence, rose de Mai, vetiver, oeillet d'Inde (marigold), coriandre, immortelle, mousses de chene (oakmoss), santal, patchouli

Photo: Isabelle Pascoe, the Autumn Collections, British Vogue, 1985

Friday, December 24, 2010

We Three Kings: Eau d'Italie - Paestum Rose

A rose among the ruins
Myrrh is mine: Its bitter perfume
Breaths a life of gathering gloom.
Sorrowing, sighing, bleeding dying,
Sealed in the stone-cold tomb.
This is my final post in the We Three Kings series. Many thanks, first to Joanne at Redolent of Spices for starting this project with me and also to all the other amazing bloggers who joined us. Their posts have all been awesome and I'm so happy to have made so many new perfume-fanatic friends. Check them all out from the links at the bottom of this post.

Myrrh

After gold and frankincense, the Magi gave myrrh to the baby Jesus. Like frankincense, myrrh is another resinous incense, collected as tears from the damaged bark of trees.

Myrrh was the gift that symbolized death.  Way to ruin the festive mood there, Magi. Myrrh was an essential ingredient in ancient Egyptian funeral rites and was also commonly used in ancient times as a medicine to treat wounds and pain. Jesus was offered a cup of wine with myrrh in it before he was nailed to the cross. The taste of this medicine was apparently not so good - the word myrrh derives from the Aramaic word for "bitter."

What does it smell like?

Myrrh is a difficult note for me, I find it sometimes hard to isolate in perfumes, but, despite the origins of its name, I don't think it's a bitter smell. Myrrh to me is lightly sweet and woody, as you would expect a tree sap to be, It's not the intense, nose-tickling warmth of frankincense. Instead I think of myrrh as being a "cool" incense, if that makes any sense. Like smooth grey stones.

Myrrh works well in Paestum Rose, which is a perfume created to reflect the beauty of Paestum, Italy, a city famous for its ancient Greek temple ruins and its roses. Myrrh combines with a sheer rose to create a perfume that's light and cool on floral on top but also resinous and woody and comforting underneath. The rose is pale pink in my mind, and with a lightness like peony. A pink pepper spices it up and bridges the gap between the rose and the wood. The far drydown has something more piquant, maybe some black-currant, making it end sweeter than it began.

Paestum Rose is the smell of melancholy but also happy memories. Maybe I'll save Paestum Rose for the day after Christmas, a day for cleaning up wrapping paper and relaxing with a new book.

Merry Christmas everyone, and a fragrant New Year!

House: Eau d'Italie
Nose: Bertrand Duchaufour
Notes: davana, pink and black pepper, coriander, osmanthus,Turkish, incense, myrrh, opopanax, papyrus, Wenge wood

Please visit all these other blogs during We Three Kings week:

Three Kings Icon ©2010 Megan Ruisch 

Sunday, December 19, 2010

We Three Kings: Frederic Malle - Bigarade Concentreé

Gold I bring to Crown Him again
Born a king on Bethlehem's plain,
Gold I bring to crown Him again,
King forever, ceasing never
Over us all to reign.
Welcome to We Three Kings week. This week, I and nine other bloggers (see list below) will each be reviewing three perfumes, to represent the three gifts of the magi: gold, frankincense and myrrh. The first up for me is gold, the gift that symbolized kingship on earth.

Gold is the colour of Christmas for me. Gold decorations are on my tree, gold paper and bows wrap my gifts, and golden candlelight fills the apartment in the evenings.  When I was a child, my sister and I would always receive a golden navel orange in the toe of our stockings. The smell of orange peel brings back memories for me of Christmas mornings.

Nothing captures the glorious, bright golden smell of orange peel better than Frederic Malle's Bigarade Concentrée. Based on a bitter orange essence developed specially for Jean-Claude Ellena, Bigarade Concentrée reminds me most of the smell of clementines. Every year I like to get a little wooden box of these Moroccan delicacies in December and the opening of Bigarade Concentrée smells exactly like peeling one of these little jewels.

As it warms up on the skin the intense bitter orange of Bigarade Concentrée becomes more sheer and floral with just a touch of rose, like a rose, orange and gold sunrise. Then another type of gold becomes noticeable, a beautiful sweet, golden hay note. Hay is like liquid summer sunshine; it's sweet and grassy and works really well with the orange and rose. A light dry cedar provides a base that compliments but never overpowers the other notes.

Bigarade Concentrée was a pleasant surprise for me. I wasn't expecting to fall in love with a bitter orange perfume, especially in winter, when I usually drift towards spices, incenses or warm ambers. Orange seems to me like it would be a summer scent. But after trying Bigarade Concentrée on a window-sniffing lunch break, I knew by the end of the day that I had to own a full bottle. From a deceptively simple list of notes, Jean-Claude Ellena created a golden treasure that I will wear year round.

House: Frederic Malle
Nose: Jean-Claude Ellena
Notes: bitter orange, rose, hay, cedar

Photo: Paul.Carroll
Three Kings Icon ©2010 Megan Ruisch



Please visit all these other blogs during We Three Kings week:

Friday, November 19, 2010

Roja Dove - Diaghilev

Glamour is not dead
As part of their exhibit to celebrate the 100th anniversary of the Ballets Russe, The Victoria and Albert Museum collaborated with perfumer Roja Dove to create a new fragrance.

The Ballets Russe

In the early 20th century, an amazing confluence of art, dance, music and fashion was happening in Paris. At the centre of the this artistic playground was the influential company, the Ballets Russe and its founder, the Russian impresario, Serge Diaghilev (1872-1929). Under Diaghilev, the Ballets Russes collaborated with choreographer Vaslav Nijinsky and composer Igor Stravinsky. Artists who designed sets included Braque, Picasso, Matisse, Miro, de Chirico, Dali, and Utrillo. Coco Chanel herself designed costumes for four productions. The costumes and artwork (like the picture, right) of artistic director Léon Bakst, with their bright colours and swirling orientalism, had a great influence on fashion and design.

The Chypre

To celebrate this influential person, and the golden era of the Ballets Russe, Dove chose to create a chypre. Chypres were popular at the time and include some of the greats, like Coty Chypre and Caron Tabac Blond and legend has it that Serge Diaghilev used to spray his curtains with Guerlain Mitsouko.

Diaghilev, the perfume, is a true chypre, not a perfume that skips the oakmoss, adds patchouli and calls itself a "modern chypre." There is an uplifting citrus opening, a lush floral heart, and a warm, earthy base with oakmoss. But within this classic form, Dove has created a modern fragrance with transparency and complexity, like layers of chiffon silk.

What does it smell like?

Diaghilev starts with a sheer lemon-orange note that is slightly smoky. I always think that I haven't sprayed enough at this point; the old-fashioned bulb atomizer delivers such a fine mist. But as the perfume sits on my skin it seems to get stronger. Once the heart notes arrive it has significant sillage. And what a waft! Diaghilev is a sex bomb. Rowrrr. There's nothing animalic listed in the notes, but Diaghilev is a very, very naughty girl. It's a full and ripe and bed-headed in rumpled sheets kind of naughty. Diaghilev is a woman whose chic updo is a mess and her silk gown lies where it dropped on the floor last night.

The hussy heart of this perfume smells like some of the great vintage perfumes but done in a modern way. It's a "modern vintage" like The Party in Manhattan. The bottle features a figure by Baskt, Narcisse. Maybe that is why I keep thinking of narcissus when I smell Diaghilev, but it's not listed in the notes. There's rose and jasmine, a classic combo, and maybe baked peaches with spice, just a hint.  The base is sweet and dark and dirty and, of course, it has the necessary touch of oakmoss, without which it would not be a chypre.

I love Diaghilev. It was released by the V&A Museum in a limited edition, only 1,000 bottles, although I hear rumours they may make more. I bought it unsniffed, the first time I've ever done that, because I'd heard good things about it. I'd heard it was a chypre with classical bone structure and I knew that Roja Dove is a perfume expert and a connoisseur of the Grand Old Dame perfumes.

I'm not disappointed. Diaghilev is one of the few perfumes I wear that I want others to smell. You know how it is; I test so many different perfumes that most of the time I just want to keep my sillage under the radar. But with Diaghilev, well, let them smell the gorgeousness that is me.


House: Roja Dove for the Victoria and Albert Museum
Nose: Roja Dove
Notes: bergamot, amalfi lemon and orange; middle notes are jasmine and rose; base notes are vetyver, iris, patchouli, oak moss and vanilla

P.S. In my typical backwards fashion, I didn't read Roja Dove's beautiful reference book, the Essence of Perfume, before writing this. But I have a copy now and I'm looking forward to it. I may write a book review.

Wednesday, November 3, 2010

Violet Week: Creed - Love in Black

A Spring walk in the wet woods

It's Violet Week! This week I'm doing a little joint blogging with two other perfumistas. We will each be reviewing three violet perfumes: a "high-end" expensive violet, a less expensive, medium-range violet, and a "low-end" violet perfume. Check out Muse in Wooden Shoes and Redolent of Spices this week for their reviews.

I chose Creed Love in Black as my "high end" violet perfume for the Violet Week reviews.

About Creed

Creed is a family-owned luxury brand, founded in 1760. The head perfumers are Oliver Creed and his son Erwin Creed. Historically, Creed has had many famous clients. Fleurissimo was commissioned by Prince Rainer III as a wedding present for Grace Kelly and Green Irish Tweed has reportedly been worn by Robert Redford and Richard Gere. Creed perfumes are expensive and use high quality natural materials and traditional infusion techniques. They are generally very linear, meaning they don't change much from first spray to far dry down.

About Love in Black

Released on the 40th anniversary of her marriage to a Greek shipping tycoon, Love in Black is a tribute to the most famous former First Lady, Jacqueline Kennedy Onassis. The colour black was chosen to represent her dark hair, black sunglasses, and chic black dresses. The bottle is created with black sand from Greece. The notes include cedar from Virginia, where she rode horses, and Greek wildflowers.

It takes a bigger stretch of the imagination to associate some of the other notes in Love in Black with Mrs. Onassis. Violet from Italy is noted only because she "visited" there, and iris from Florence because it was a "favorite city." Blackcurrent from France is used because that's where "her ancestors were born."

What does it smell like?


Love in Black is a binary fragrance for me. I smell two very different things at the same time: a sweet, bright violet note and dark woody cedar note. It's a bit like a a high note and a low note played at simultaneously and loudly. From arms length, throughout the day, I mostly smell the cedar and a rooty iris. If I smell my wrist up close, I can smell the violets and roses and other florals.

It's as if I am walking in a dark wet forest on a rainy spring day. I take a break to sit down on an old cedar stump and in the black earth beneath my feet I notice there are tiny purple violets beginning to bloom.

However, what other people smell on me is different. From the comments I have gotten, my sillage is apparently all sweet and fruity violets. The black current must be combining with the florals to leave a sweet wake behind me.

As I mentioned above, Love in Black is linear - what you smell when you first spray it on is what you'll smell hours later. It has good sillage and lasting power. It's a bit weird and not subtle, but I like Love in Black, especially on a rainy day.

House: Creed
Nose: Olivier Creed and Erwin Creed
Notes: violet, jasmine, cedar from Virginia, iris, cloves, musk, black currant and rose.

Friday, October 29, 2010

Opus Oils - Afraid of the Dark Collection

Lady Death, two vampires and a fiend for Halloween

It's that time of year, when glowing jack-o'-lanterns leer on porches, cobwebs and skulls become decorating staples and scary wee beasties creep in the shadows ready to pounce on candy. Don't you love Halloween? In honour of the delightfully dark day, I'm reviewing the Afraid of the Dark collection by Opus Oils.

The Afraid of the Dark collection has four perfume oils, Vamp, Ode de Vampyre, Lady Death and Charlie No. 5. The collection was released in 2009. 

Vamp

Vamp is meant to be a lush animalic floral in a vintage style, with "smoky" gardenia, orange blossom and tobacco. But Marilyn Monroe vampire never appears. Vamp starts with an interesting smoky note, but I don't really smell the promised gardenia and orange blossom. Instead I get a quiet and, generic white floral for an hour and then nothing. I don't smell the tobacco or vanilla at all. Unfortunately, I do smell coconut quite clearly, which I'm guessing is the coconut oil the perfume is based on. I don't think that it's meant to be a noticeable note.

Notes: Smokey Gardenia, Blond Tobacco, Orange Blossom & Vanilla

Ode de Vampyre

Now this is more like it. I'll admit it, I'm a vampire junkie. Name the movie, TV show or book, I've seen/read them all. So what could be better than a perfume named for my favourite dark and brooding fantasy?

Surprisingly, Ode de Vampyre is a cheerful rosy wood perfume. Loads of cedar and sandalwood combine with a fruity rose in the heart.  I can smell a smidge of honey on the wood in the drydown. This one has good sillage and lasting power.


Notes:  Blood Cedarwood, Saffron, Dark Rose, Orris Root, Sandalwood, Black Agar, Vetiver, Honey & Temple Incense.

Lady Death

Moss covered stones, ethereal night blooming flora, midnight air, sweet anticipation of the last kiss from a ghostly apparition.


I think this is the most unique and interesting of the four perfumes, even if it is the hardest for me to wear. Lady Death features lily, a note I associate with death. But that's perfectly appropriate here. There is also datura, a night-blooming flower with poisonous and hallucinogenic properties. The datura flower attracts ghostly moths at night and is supposed to smell sweet, like jasmine. Lady Death combines lily with this sweet floral and a slightly salty oakmoss. The result is exactly the feeling of funeral bouquets and deadly flowers growing around damp cold stones.

Notes: of Datura, White Musk, Black Lily & Oak Moss

Charlie No. 5

The most controversial of the lot, Charlie No. 5 has apparently been banned from eBay. It must have something to do with its inspiration, the killer Charles Manson. When I originally ordered my oils, the image on the left was a picture of his creepiness.

Do you like amber? If you do, you'll love Charlie No. 5. This perfume is all warm, delicious base notes. The labdanum is woody and balsamic, like a walk through a pine forest, and the patchouli adds a hint of dark earth. The vanilla and amber are smooth and sweet. This is my favourite of the four perfume oils. Despite its infamous inspiration, it's a cuddly comforting scent and  perfect for those chilly dark October nights.

Notes: of Dark Amber, Aged Labdanum, Vanilla, Musk, Vintage Patchouli & Soft Amber

Happy Halloween my fragrant friends!



House: Opus Oils
Nose: Kendra Hart