The luck of the Irish all day long
To celebrate March, the green month, and the upcoming hootenanny that is St. Patrick's day, I am wearing Atelier Cologne's Trèfle Pur today. I feel the need for green to get me through what is usually a not-so green month in Ontario. And a little four-leaf clover luck wouldn't hurt either.
A burst of freshness perked me up right away when I dabbed on Trèfle Pur. A "cologne absolute," Trèfle Pur contains 18% essential oils, which makes is much longer lasting than traditional colognes and it has better sillage. It was love at first sniff. Trèfle Pur is amazing and I only wish that I hadn't waited almost a year to try my sample.
Atelier Cologne only just started in 2010. Trèfle Pur is one of 6 perfumes they offer. To me, Trèfle Pur is an example of the best of modern perfumery. High quality, an interesting composition, and a sheer touch that lets all the notes shine individually yet also combine into a harmonious whole, are some of the hallmarks of the great modern perfume. I love being able to pick out the individual smells of bitter orange, violet leaf, and neroli, even as they work together like voices in a choir.
Trèfle Pur starts like a sunrise over green fields and winds up in the soft grey dusk, The opening notes combine a bright bitter orange with a green grassy note. The gorgeous green of the cologne comes from clover absolute, and the spicy greeness of violet leaves and basil. As it warms on the skin, wafts of aromatic cardamom and and a lovely floral neroli lift the green off my skin and swirl around me, like an afternoon in a garden. In the dry down, a cuddly musk and a grey mossy feeling comfort me.
Trèfle Pur is almost a combination of two of my favourite Frederic Malle perfumes, Bigarade Concentrée and Angéliques sous le pluie. It has the beautiful bitter orange opening of Bigarade and the spicy, musky, greeness of Angéliques. It is perfect for men and women who are looking for something fresh and green.
I also appreciate the way Trèfle Pur seems to tell a story and set a mood. It creates an olfactory image, a character, that each person can make their own. The marketing images created for each cologne in the collection reflect this story-telling aspect of the perfume. You can see the example for Trèfle Pur, above. I love them; I think they are some of the best perfume ads I've ever seen.
House: Atelier Cologne
Nose: Jerome Epinette
Notes: Top notes: Bitter orange, cardamon, basil
Heart notes: Clover absolute, violet leaves, Tunisian neroli
Base notes: Patchouli, moss, musk
Showing posts with label cardamom. Show all posts
Showing posts with label cardamom. Show all posts
Thursday, March 3, 2011
Sunday, January 30, 2011
Raphael - Réplique (Vintage)
A vintage sample is a little thin but has great bone structure
My recent haul of vintage perfume from Fritsch's Pharmacy came with two, very old, carded samples of Raphael Réplique. The juice inside the vials has reduced about half-way, through evaporation, but there's enough left to tell that this was something special.
The top notes are all gone, except for a brief sparkle of aldehydes that must have been stronger once. Then I smell spices, the cardamom still comes through well, and a fruity wood that reminds me of Serge Lutens Bois de Violet.
In the middle of Réplique's life on my wrist, the clary sage takes over and smells like green leather, with the fruity wood and spices still underneath.
In the later stages, the leather fades and the base notes shine on their own. Wood, vetiver, amber, musk, patchouli and oakmoss, make a dry/sweet darkly rich tapestry that is wonderful, even in this attenuated form.
Réplique must have been stunning once. What's left in my vial has become a little too thin over time. There's no sillage left and it doesn't last long. But I can tell the perfume was once a great beauty, and maybe unique. Was it an aldehydic floral? A chypre? An oriental? It seems like a combination of all three. Complicated and grown-up, Réplique was a perfume with style and grace.
House: Raphael
Nose: ?
Notes [According to irmashorell.net, a site that re-creates lost perfumes, this is the original formula]: top notes of Italian bergamot, Sicilian lemon, cardamom, neroli, coriander, clary sage and fresh aldehydes. Mid-notes of ylang ylang, lily of the valley, Egyptian jasmine, mimosa, tuberose, heliotrope and coumarin. Base notes of oakmoss, olibanum, powdery amber, musk, vetiver, patchouli
Photo: Lisa Fonssagrives by Irving Penn
My recent haul of vintage perfume from Fritsch's Pharmacy came with two, very old, carded samples of Raphael Réplique. The juice inside the vials has reduced about half-way, through evaporation, but there's enough left to tell that this was something special.
The top notes are all gone, except for a brief sparkle of aldehydes that must have been stronger once. Then I smell spices, the cardamom still comes through well, and a fruity wood that reminds me of Serge Lutens Bois de Violet.
In the middle of Réplique's life on my wrist, the clary sage takes over and smells like green leather, with the fruity wood and spices still underneath.
In the later stages, the leather fades and the base notes shine on their own. Wood, vetiver, amber, musk, patchouli and oakmoss, make a dry/sweet darkly rich tapestry that is wonderful, even in this attenuated form.
Réplique must have been stunning once. What's left in my vial has become a little too thin over time. There's no sillage left and it doesn't last long. But I can tell the perfume was once a great beauty, and maybe unique. Was it an aldehydic floral? A chypre? An oriental? It seems like a combination of all three. Complicated and grown-up, Réplique was a perfume with style and grace.
House: Raphael
Nose: ?
Notes [According to irmashorell.net, a site that re-creates lost perfumes, this is the original formula]: top notes of Italian bergamot, Sicilian lemon, cardamom, neroli, coriander, clary sage and fresh aldehydes. Mid-notes of ylang ylang, lily of the valley, Egyptian jasmine, mimosa, tuberose, heliotrope and coumarin. Base notes of oakmoss, olibanum, powdery amber, musk, vetiver, patchouli
Photo: Lisa Fonssagrives by Irving Penn
Tuesday, January 18, 2011
Jacomo - Parfum Rare and a Giveaway!
Mysterious beauty
Parfum Rare is the first perfume I'll review from the box of samples I received at Christmas from the vintage treasure trove at Fritsch Pharmacy. Everything in the box is a mystery to me and I'm looking forward to discovering new gems. The more I smell vintage perfume, the more I wish I had started my hobby twenty years ago.
In the late 60’s, an American named James Kaplan and a Frenchman, Gerard Courtin, a former pianist, came together to open a boutique on 5th Avenue in New York. They called it Jacomo. In 1970, they expanded their business to perfume. They released Silences in 1978. Parfum Rare was released in 1985 and re-released in 1987 as Coeur de Pafum.
Parfum Rare is a rich floral chypre, with some spice and a deliciously dark bitter base. The top notes start with a bright, tart fruit that could be could be bergamot, or black currant and warm, aromatic spices. The heart is a beautiful full rose and dry, not sweet, florals, possibly the iris and marigold mentioned in the notes, or carnation. The base is also dry with bitter oakmoss, as well as some dark patchouli and earthy vetiver.
It's very well blended and has excellent sillage. It seems to take up a three-dimensional physical space when I wear it, as if I can smell dark and light, high and low, at the same time. It's very "perfumey" in an old-fashioned way that I love and it smells like money. I want to wear it with an inky black mink coat and two dozen blood-red, long-stem roses. Pafum Rare is a portrait of a beautiful but mysterious woman. The painting is a contrast of deep dark depths and reflected light, and the woman is young but with an old soul.
A Giveaway!
Appropriately, Parfum Rare seems to have been discontinued, but I'm happy to say I have an extra sample to give away.
Please leave a comment below and tell me about a rare or discontinued perfume you love, or if you can't think of anything, just tell me what you're wearing today. The winner will be selected randomly and announced on the blog on Saturday. Be sure to check back.
House: Jacomo
Nose: ?
Notes: bois de rose, cardomome de Ceylan, jasmin d'Egypte, iris de Florence, rose de Mai, vetiver, oeillet d'Inde (marigold), coriandre, immortelle, mousses de chene (oakmoss), santal, patchouli
Photo: Isabelle Pascoe, the Autumn Collections, British Vogue, 1985
Parfum Rare is the first perfume I'll review from the box of samples I received at Christmas from the vintage treasure trove at Fritsch Pharmacy. Everything in the box is a mystery to me and I'm looking forward to discovering new gems. The more I smell vintage perfume, the more I wish I had started my hobby twenty years ago.
In the late 60’s, an American named James Kaplan and a Frenchman, Gerard Courtin, a former pianist, came together to open a boutique on 5th Avenue in New York. They called it Jacomo. In 1970, they expanded their business to perfume. They released Silences in 1978. Parfum Rare was released in 1985 and re-released in 1987 as Coeur de Pafum.
Parfum Rare is a rich floral chypre, with some spice and a deliciously dark bitter base. The top notes start with a bright, tart fruit that could be could be bergamot, or black currant and warm, aromatic spices. The heart is a beautiful full rose and dry, not sweet, florals, possibly the iris and marigold mentioned in the notes, or carnation. The base is also dry with bitter oakmoss, as well as some dark patchouli and earthy vetiver.
It's very well blended and has excellent sillage. It seems to take up a three-dimensional physical space when I wear it, as if I can smell dark and light, high and low, at the same time. It's very "perfumey" in an old-fashioned way that I love and it smells like money. I want to wear it with an inky black mink coat and two dozen blood-red, long-stem roses. Pafum Rare is a portrait of a beautiful but mysterious woman. The painting is a contrast of deep dark depths and reflected light, and the woman is young but with an old soul.
A Giveaway!
Appropriately, Parfum Rare seems to have been discontinued, but I'm happy to say I have an extra sample to give away.
Please leave a comment below and tell me about a rare or discontinued perfume you love, or if you can't think of anything, just tell me what you're wearing today. The winner will be selected randomly and announced on the blog on Saturday. Be sure to check back.
Update Saturday, January 22, 2011: THE DRAW IS CLOSED. MY THANKS TO EVERYONE WHO ENTERED.
House: Jacomo
Nose: ?
Notes: bois de rose, cardomome de Ceylan, jasmin d'Egypte, iris de Florence, rose de Mai, vetiver, oeillet d'Inde (marigold), coriandre, immortelle, mousses de chene (oakmoss), santal, patchouli
Photo: Isabelle Pascoe, the Autumn Collections, British Vogue, 1985
Friday, December 3, 2010
Amouage - Memoir Woman
A balance of masculine and feminine
In my limited, pop-culture understanding, the concept of Yin and Yang is about the balance of male and female aspects. In perfume marketing, that's usually a no-no. Perfumes are divided between those for men and those for women and SA's will die of shock if you wander between the two counters. But perfume lovers know that, just as pink looks great on men and women look hot in tuxedos, perfume notes may seem masculine or feminine, but really, who cares? Crossing that line is not only fun, it should be encouraged.
That's why I find it odd when perfume houses release "Man" and "Woman" perfumes. Maybe they think that people will feel more comfortable buying a gender specific perfume. Maybe they're right. But, although I haven't smelled Amouage Memoir Man, I can tell you that Memoir Woman is not a feminine scent. In fact, it's a blend of masculine and feminine notes. It's an intricate dance of a perfume.
Memoir woman starts with a rather bracing wormwood note, combined with cardamom and pepper and clove. It's sort of medicinal and spicy and this is the point at which it seems most masculine to me and reminds me a bit of Mechant Loup by L'Artisan Parfumeur. Then it softens and becomes more of a comforting, spicy scent, like Like This by Etat Libre d'Orange. At this point it's perfectly unisex.
In the heart, jasmine and rose bloom underneath a trellis of wood. This is the most feminine part of Memoir Woman. The transition is a little surprising, just when I thought I had a spicy masculine scent, now I have a woody floral. But the story isn't over yet.
My favourite part happens about 12 hours after application, in the dry down, when Memoir woman becomes an old-fashioned leather chypre. Smooth, musky leather and lovely oakmoss are wrapped in a creamy, resiny labdanum. This part is either old-school feminine or unisex, depending on how you feel about perfumes like Bandit. I can't keep my nose away from my wrist once it gets to this point.
Memoir woman is a complicated, changeable perfume and one of the best Amouage scents I have tried.
House: Amouage
Nose: Daniel Maurel and Dorothée Piot
Notes: Top notes: cardamom, mandarin orange, pink pepper and wormwood; middle notes: clove, incense, pepper, woodsy notes, jasmine, rose and white flowers; base notes: musk, french labdanum, oak moss, styrax and leather.
Photo: innpictime
In my limited, pop-culture understanding, the concept of Yin and Yang is about the balance of male and female aspects. In perfume marketing, that's usually a no-no. Perfumes are divided between those for men and those for women and SA's will die of shock if you wander between the two counters. But perfume lovers know that, just as pink looks great on men and women look hot in tuxedos, perfume notes may seem masculine or feminine, but really, who cares? Crossing that line is not only fun, it should be encouraged.
That's why I find it odd when perfume houses release "Man" and "Woman" perfumes. Maybe they think that people will feel more comfortable buying a gender specific perfume. Maybe they're right. But, although I haven't smelled Amouage Memoir Man, I can tell you that Memoir Woman is not a feminine scent. In fact, it's a blend of masculine and feminine notes. It's an intricate dance of a perfume.
Memoir woman starts with a rather bracing wormwood note, combined with cardamom and pepper and clove. It's sort of medicinal and spicy and this is the point at which it seems most masculine to me and reminds me a bit of Mechant Loup by L'Artisan Parfumeur. Then it softens and becomes more of a comforting, spicy scent, like Like This by Etat Libre d'Orange. At this point it's perfectly unisex.
In the heart, jasmine and rose bloom underneath a trellis of wood. This is the most feminine part of Memoir Woman. The transition is a little surprising, just when I thought I had a spicy masculine scent, now I have a woody floral. But the story isn't over yet.
My favourite part happens about 12 hours after application, in the dry down, when Memoir woman becomes an old-fashioned leather chypre. Smooth, musky leather and lovely oakmoss are wrapped in a creamy, resiny labdanum. This part is either old-school feminine or unisex, depending on how you feel about perfumes like Bandit. I can't keep my nose away from my wrist once it gets to this point.
Memoir woman is a complicated, changeable perfume and one of the best Amouage scents I have tried.
House: Amouage
Nose: Daniel Maurel and Dorothée Piot
Notes: Top notes: cardamom, mandarin orange, pink pepper and wormwood; middle notes: clove, incense, pepper, woodsy notes, jasmine, rose and white flowers; base notes: musk, french labdanum, oak moss, styrax and leather.
Photo: innpictime
Labels:
Amouage,
cardamom,
chypre,
clove,
Daniel Maurel,
Dorothée Piot,
jasmine,
labdanum,
leather,
oak mosss,
wood,
wormwood
Friday, November 12, 2010
Penhaligon's - Elixer
A day at the spa
Created in 2008 by the talented Olivia Giacobetti, Elixer is a modern interpretation of the Penhaligon's classic Hammam Bouquet which was composed by William Penhaligon in 1872. While Hammam Bouquet was inspired by the smell of Turkish baths, the modern Elixer reminds me of a particular spa.
Near where I live is a water spa. Finished in warm wood and low, ochre-coloured lighting, it's a wonderful relaxing place to spend a couple of hours, sitting under waterfalls, meditating in the sauna, breathing the eucalyptus steam in the steam room, and generally wallowing in sybaritic pleasure. While lounging on poolside couches to catch your breath, kind women will bring you steaming cups of chai tea.
Elixer captures the experience of going to that spa perfectly. A warm, dry combination of woods, particularly cedar, and incense remind me of a sauna in much the same way as Hinoki does. A touch of eucalyptus is like inhaling the vapour in the steam room. The spices, cinnamon, mace and cardamom, along with a touch of vanilla, remind me of the chai tea. Although it's unlikely that Giacobetti has been to my spa, Elixer is an uncanny recreation of that place. Brava.
House: Penhaligon's
Nose: Olivia Giacobetti
Notes:
Head Notes: Eucalyptus, Cardamom, Orange Blossom Absolute and White Cedar
Heart Notes: Red Turkish Rose Absolute, Egyptian Jasmine Absolute, Cinnamon Leaves, Mace and Rosewood
Base Notes: Benzoin, Tonka beans, Vanilla, Incense, Red Sandalwood and Guaicum Wood
Photo: Body Blitz
Full disclosure: I won my bottle of Elixer in a contest on Penhaligon's Facebook page.
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