Bulgari - Omnia

Gingersnaps on a fresh plank

Today, for a refreshing change I'm sure, I'm going to review a non-niche perfume. Bulgari's Omnia is one of my favourite perfumes ever, and you can buy it at Sephora, or at Shopper's Drug Mart. I got my bottle on sale at Winners.

Or, at least you could. I just checked Bulgari's website and they don't even mention the original Omnia anymore. Just the flankers, Omnia Amethyst, Omnia Cristalle and Omnia Jade. I highly recommend picking up the original Omnia in the brown bottle soon, if you get the chance.

In Perfume, The Guide, Luca Turin gives Omnia four stars and says its construction is original and influential. Why are they cancelling this?

Anyway, back to why I love it. Don't read the list of spice notes and wood and think that this is going to be too heavy for you; Omnia is sheer and transparent. It's a perfect woody, fall perfume. Omnia as impressive sillage, and lasts like crazy.

It's fairly linear. The opening has a juicy feeling from the mandarin, and there is a tea note as in all the Bulgari perfumes. But mainly, Omnia is the wonderful melding of three notes: a fresh spicy gingersnap, a creamy "white chocolate," and a wood note like a buzz saw. The wood turns what could have been a boring sweet gourmand into an amazing dry, warm scent. The wood is like fresh sawdust. Combined with the spices and white chocolate, the wood reminds me of a freshly sawed maple plank. Sitting on the plank is a plate of warm gingersnap cookies.

Now, if you'll excuse me, I'm going to go find some bottles to hoard.

House: Bulgari
Nose: Alberto Morillas
Notes: mandarin, saffron, ginger, cardamom, Masala tea, lotus, clove, cinnamon, white chocolate, sandalwood, tonka, guaiac wood (from Perfume Posse)

Photo: kidmissle

Yves Saint Laurent - Belle d'Opium

A snuffed candle

Yves Saint Laurent launched its best-selling fragrance Opium, in 1977. It was one of the big iconic perfumes of the 80s, a fragrance that signified exoticism, mystery, danger and sensuality. Its popularity and its decadent scent trail inexorably led to a backlash against heady perfumes that I think we're still recovering from. 

So, in 2010, YSL released Belle d'Opium, the latest flanker to the famous oriental. The YSL web site says that it contains an "overdose of rare and precious ingredients to take extreme femininity to the limits of indecency." Ah, no. Belle d'Opium doesn't even get near my limits of indecency, but I do like it.


Belle d'Opium opens with white pepper, a hint of peach and some sandalwood from the base showing through. The heart of the perfume revolves around what they refer to as the "Nargileh accord" and incense. Nargileh is a tobacco water pipe (hookah is basically the same thing), like I described in Fumerie Turque. But I don't smell tobacco in Belle d'Opium. Instead the idea of a lazy curling column of smoke has been created with a smoky note that smells like a just-snuffed candle, with a touch of incense weaving through it. The bottle hints at this candle aspect with a red wick running through the middle.

Although "Casablanca Lily" is the flower that the marketing focuses on, I don't really smell lily either, which is a good thing by me.  Lily is one of the new "it" notes this season but not one of my favourite flowers. Belle d'Opium has a quiet, well-blended white floral bouquet, quite demure and nondescript actually, supporting the curling smoke heart. It's almost as if the fat, waxy petals of those flowers translate into the waxiness of white candles. The base is a musky wood with patchouli - pretty much the ubiquitous "new chypre" base.


Belle d'Opium is fairly quiet, staying close to the skin (unlike the original) and fading after a few hours. I'm disappointed that Belle d'Opium, with such a delicious list of notes, and marketing that promises an "overdose" of ingredients, is so tame to me, but that seems to be the way that the big main-stream perfumes are done these days. Truly "indecent" perfumes, or perfumes that dare to have sillage, still can only be found in the smaller niche lines.

But Belle d'Opium is pretty. I like wearing it. If I could get a big bottle inexpensively, I could see spraying this on liberally in the cooler months. I like to relax in those long dark evenings with candles burning and a cashmere wrap for cuddling. Belle d'Opium would be a good comfort scent for those casual evenings, shut away from the rest of the world, lolling about on the couch. Not unlike an opium den, actually.

House: Yves Saint Laurent
Nose: Honorine Blanc and Alberto Morillas
Notes: Sample card lists: Casablanca Lily, incense and Nargileh accord. OzMoz lists: top note: Mandarin Orange, Lily, Gardenia, White Flowers middle note: Frankincense, Peach, Pepper, Tabacco, Hookah Accord, Fruity Notes base note: Patchouli, Sandalwood, Smoky Notes, Amber


Photo: One of a series of photographs by Hungarian photojournalist Brassaï taken in Paris in the early 1930s. Via stevechasmar.

Eau d'Italie - Au Lac

Watery floral

The PR material from Eau d'Italie tells me that Au Lac was inspired by the early 20th century love affair between Italian Princess Vittoria Colonna and Futurist artist Umberto Boccioni. Part of this affair took place on an island in Lake Maggiore in an Italian garden near the shore. Au Lac is supposed to smell like "A gorgeous Italian garden at the height of summer, the air filled with the scent of flowers and the fresh waters of a lake...", you get the picture.

What does Au Lac smell like? Watery lotus, a hint of palest green, some airy, barely there osmanthus, mineral water and laundry-clean musk.

When I smell Au Lac the country that comes to mind isn't Italy, it's Japan. Specifically, the famous aversion the Japanese have to wearing perfumes that you can actually smell. Chandler Burr has written about this, Display It, don't Spray It,  and a recent article in the Japan Times says the same thing:

The Japanese can tell if someone is wearing perfume from three train cars away, and are quick to wrinkle their noses. It just puts them into a funk. They will likely swear the smell has clung to their nose hairs or taken up residence in their nasal membranes where they will have to inhale the offensive perfume for the rest of the day.

The Japanese cosmetics market is huge, but perfume sales are low - nothing compared to the European and North American markets. So, how does a perfume house make it big in Japan? Make more perfumes that don't smell of very much at all.  Many perfumes bloggers have alluded to this phenomenon, remarking that this or that new sheer, "clean" perfume or "anti-perfume" like L'Eau Serge Lutens, must be for the "japanese market."

I guess there's enough perfume in the world to suit everybody's tastes but, as for me, I'd like a little more "there" there. A little funk for my trunk. Even (horrors) a waft in my wake. I don't want to cause a stampede on the subway but, when I huff my wrist, I want to smell something more than water with petals floating on top.

House: Eau d'Italie
Nose: Alberto Morillas
Notes: Water Lily, Bitter Orange Leaves, Panarea Fig Leaves, Osmanthus, Italic Rose Bud, Sambac Jasmine Petals, Papyrus, Mineral Amber

Photo: Nganguyen